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Relentless total war on metal journalism.
Episodes
Monday Nov 02, 2020
Monday Nov 02, 2020
One of our patrons-only bonus videos, originally published September 8, 2020. Here The Death Metal Guy and The Black Metal Guy get each other into two forgotten classics of "trenchcoat-era" Norwegian black metal, each with an outsize influence on contemporary sounds. In the process, we discover some unexpected connections between these two very different records.
00:00 - Intro
06:29 - Mayhem - Grand Declaration of War (Season of Mist, 2000)
01:20:26 - Hades - The Dawn of the Dying Sun (Full Moon Productions, 1997)
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Thursday Oct 29, 2020
Thursday Oct 29, 2020
On this ripping new episode of Terminus, The Black Metal Guy and The Death Metal Guy run through a trio of new BM releases, from the polished to the raw to the utterly primitive, and some BM-friendly brutal death to boot.
We lead off with what is probably our favorite major-label release of the year - Hinsides Vrede by Sweden's Mork Gryning, venerated ancestors back from the burial mound and stronger for it. This band starts from the Swedish Second Wave and sets it racing, gathering up forgotten 90s sounds and coming out ahead of younger bands. Next up is Sardonic Witchery, a Portuguese BM maniac transplanted to Texas. His thunderous low-end rock-BM shows his love of the genre as a whole, and a serious commitment to each of his musical ideas.
On the second half of the show we move into weirder territory. The Black Metal Guy brings the primordial Americana-black of Nihil Invocation. There's a lot about this aesthetic we like, but a lot we'd like to hear developed, too. Finally, The Death Metal Guy closes out with multinational project Molecular Fragmentation, who share members with Induced (see Terminus 13). This is the sort of whiplash brutal death that TBMG can really dig, and it leads us back to our ongoing conversation about death metal's future (see Terminus 20, 22). We read the portents, finding only fire and blood. Is "Brutal Death x War Metal" the next big thing?
00:00 - Introductory bullshitting
02:01 - The Death Metal Guy shares a rehearsal track (from a BM band); The Black Metal Guy listens and critiques.
16:43 - Rundown of bands and labels
22:55 - Mork Gryning - Hinsides Vrede (Season of Mist)
01:00:32 - Sardonic Witchery - Moonlight Sacrifice Ritual (War March Records/Niflhel Records/Warhemic Productions/Worship Tapes)
01:34:12 - Interlude - Morte Incandescente - "Black Skull Crushing Metal," fr. Coffin Desecrators (2005, GoatowaRex). Reissued by War Arts Productions, 2015.
01:38:39 - Nihil Invocation - Dead Seed Immersed in Glory (Asrar)
02:22:56 - Molecular Fragmentation - Unparalleled Fatal Collapse (Pathologically Explicit Recordings)
03:06:15 - Outro - Peter Warlock - "Pavane," fr. Capriol Suite (1926). Included on this great comp by EMI Classics. The Curlew, a song-cycle based on poems by Yeats, is another good one to check out.
CORRECTION: Peter Warlock died in 1930, not the later 30s. I (TBMG) fudged a few dates as I riffed off of Wikipedia.
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Monday Oct 26, 2020
Monday Oct 26, 2020
In this special bonus episode of Terminus, we speak with Josh, the man behind the webzine Grizzlybutts, who has been kind enough to propagate our gospel of insanity through his site. We talk about his long history of music writing, from his early days writing hypernegative reviews in punk zines, to his current work writing long-form metal criticism that affirms whatever can be affirmed in the music. Over the course of the conversation, we touch on bigger questions like: What is the role of the critic, and the metal critic in particular? What is the point of *writing* about metal, as the big print mags and hegemonic music sites decline? Why should new metal fans bother learning the history of the music? This interview captures a sense of Josh as a man driven by deeply personal conviction: a drive to match the effort of the artist with his own, a compulsion to grapple with the big questions, and a stubborn insistence on the value of the written word itself -- irrespective of what's to gain, regardless of what anyone else thinks.
00:00 - Brief lead-in
02:20 - The genesis of GrizzlyButts: origins, influences, ideals, antipathies
36:07 - Filtration and curation: How does G.B. choose what to cover? How do we do it?
45:15 - You Need To Know This / Why Are You Doing This?: The purpose of metal history; folk art vs. high art, returning to the spirit of black metal.
01:26:47 - Ordinance - "The Kingdom of Nothing," fr. In Purge There Is No Remission (The Sinister Flame, 2020)
Enter the GrizzlyButts domain
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Thursday Oct 22, 2020
Thursday Oct 22, 2020
At last, your daylong wait is rewarded with this sprawling and eclectic episode of Terminus. Today, we review not four, but *5* goddamn records back to back. We warm up with a special "Terminus reacts" segment on the new compilation of noise, industrial, and minimalist black metal by K.V.N.T. Kolektiv, longtime supporters of the show. Then, in a rare change of the marching order, The Death Metal Guy takes the helm for the leadoff band, Boston's Goratory. You'll hear TDMG introduce TBMG to the finer points of dizzying technical brutal death -- with some wild melodic riffs thrown in -- and explain what "New England death metal" even is. We roll on to the debut LP of Yersin, newcomers from England's savage North whose sound is difficult to pin down: Is it polished, catchy blackgrind? Is it the infamous "arena crust?" Is it beatdown with Immortal riffs? And where should they go from here?
In the second half, we return to the "post-Slav" territory we started mapping out in Episode 23, with a rather disputatious review of Toadeater. The Death Metal Guy once more begins with They Came From Visions, an interesting Ukrainian outfit that folds the post-black tendency back into the darker, storming side of their native sound. We talk over the skillful, forward-thinking songwriting, which allows this band to evoke some unexpected moods. Finally, The Black Metal Guy introduces a project that many of our fans will really dig, but may have passed over for subcultural reasons -- Dressed In Streams, an American tribute to Indian revolutionaries that blends wild Indo-Slavic melody with rhythmic modern hardcore bite. Whatever our gripes about the presentation, the songwriting speaks for itself.
00:00 - Introductory bullshitting
05:00 - Terminus reacts to K.V.N.T. Kolektiv - Kovid 666 - K.V.N.T. Compilation 2020 (Kvnt Kolektiv)
26:52 - Rundown of bands and labels
31:52 - Goratory - Sour Grapes (Everlasting Spew Records)
01:10:14 - Yersin - Guilt (Independent)
01:48:37 - Interlude - Stormcrow - "Dead Dreams," fr. Stormcrow / Sanctum split (No Options, LP; 20 Buck Spin, CD). Available on the Stormcrow legacy Bandcamp.
01:56:35 - They Came From Visions - Cloak of Darkness, Dagger of Night (Bloodred Distribution)
02:33:04 - Dressed in Streams - Swaraj: or, “Self Rule” (Colloquial Sound Recordings)*
03:17:24 - Outro - Reek of The Unzen Gas Fumes - "Dehumanizing Cesspool for Future of Humanity," fr. Reek of The Unzen Gas Fumes LP (GoatowaRex). Goatowa is now distributed by Ajna Offensive, but looks like they're already sold out. Honestly I have no idea where to find this.
*The Indian band whose name I totally mangle is Aparthiva Raktadhara, members of the Kolkata Inner Order along with Tetragrammacide and Kapala. Here's their excellent demo, and here's their extremely NSFW video, ft. real contemporary paganism -- not exactly a Heilung music video, is it?
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Friday Oct 16, 2020
Friday Oct 16, 2020
In this long-awaited episode of Terminus, The Black Metal Guy speaks with Reese, the robust ruralist behind Old Mill Productions, a label we've been tracking since the early days of the show. The water-wheel of the Old Mill is driven by an esoteric current of "folk metal," far removed from the amplified accordions and sweaty crowds of festival LARPERs. We explore the inspiration for this aesthetic, its expression in the label's current roster, and its potential directions for development. Listeners will get a guided audio tour through the Old Mill sonic countryside, and a closer look at the craft behind the hand-fashioned "artifacts" included with special-edition tapes. Above all, this interview catches a process of growth on the fly, as the mild-mannered, single-minded Miller lays the foundations for his own artistic movement.
00:00 - Brief lead-in
15:13 - The idea of "folk metal," and its inspirations. Ft. Noltem, Aquilus, and Opeth.
35:15 - The Old Mill roster and "happy-sounding metal." Ft. Khrabat, Robes of Snow, Earthen Shrine, and Tanahanner.
01:40:48 - Premiere - Haljoruna, "Skumringsheim." Fr. forthcoming album on Old Mill.
Old Mill links:
Old Mill Productions - website
Old Mill on Bandcamp
Old Mill on Instagram
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Wednesday Oct 14, 2020
Wednesday Oct 14, 2020
On this week's full-throttle, three-hour marathon episode of Terminus, we come face to face with some of the black metal questions that have haunted us from the beginning of the show.
The Black Metal Guy begins with Denmark's Ildskaer and Quebec's Cimetiere, both of whom draw on the beloved "Franco-Finnish" guitar style. Is this smoothly-flowing, epic riff-form too dominant for its own good? And if so, what's the way out? Ildskaer answers this quandary by adapting the F.F. riff to a uniquely Danish sensibility. Cimetiere does the same, but for French Canada. We love both these records, and in the course of discussion we range from the rise of the nowadays Danish scene to some unexpected links between black metal and '77 punk.
On Part II, The Death Metal Guy introduces Elcrost, a young and very promising "Gothic extreme metal" band from Vietnam. They work uphill against a limited recording setup to write intricate, thoughtfully composed songs. And when the formula works, it really works!
At last, we turn to Germany's Toadeater, and this brings us to the big one -- the post-black question! -- in what may be our most contentious segment yet. TDMG and TBMG debate whether this record is black metal or post-black, whether it's good or terrible, and where music like this falls in the direction of the genre as a whole. Lurking behind it all is the towering specter of Mgla. How has this single band reshaped the field of black metal, and how should up-and-coming bands respond? Where does originality come from, and how? You don't wanna miss this one!!
00:00 - Introductory bullshitting
11:48 - Ildskaer - Den Raedsomste Nat (Wolfspell Records)
56:36 - Cimetiere - Extinction (CD on Feu Follet Productions and Les Creations Underground; tape on Epitaphe Prod.)
01:27:52 - Interlude - Malveillance - "Extensive Slaughter," fr. Just Fuck Off (Suffering Jesus Productions et al., 2006). Available from one of the original labels, New Scream Industries, if the BigCartel still works. If not, it's at Dark Horizon on clearance.
01:30:16 - Elcrost - Foregone Fables (Independent)
02:03:00 - Toadeater - Bit to ewigen daogen (Revolvermann Records/Kellerassell Records)
03:01:12 - Outro - Gloosh, "Groza," fr. Timewheel (Independent, 2019). Tape via slowsnow records. This summer's EP, The River, is also well worth checking out.
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Thursday Oct 08, 2020
Thursday Oct 08, 2020
On this fine new episode of Terminus, we focus on a trio of bands returning to pre-00s roots, reactivating the potential of ancestral styles. And then.... as always.... some brutal death!
In the first half of the show, we focus on two bands formed by honored veterans of their respective scenes. The Black Metal Guy leads off with Sweden's Trident, descended from Dissection and Lord Belial, now returning from a decade's hoary slumber. They've chiseled out a mountain of a record, cut from the old stone with a new shape! We study their synthesis of two late-90s sounds that have rarely been successfully imitated, let alone integrated, and talk over where they could go from here. Not to be outdone, The Death Metal Guy counters with Poland's Mysthicon, composed of members of Vader, Hate, Batushka, and Lux Occulta. This record hearkens back to a forgotten constellation of gloomy gothic-fantasy bands from across the spectrum of 90s extremity. At first we don't know what to make of it, but as the show goes on, it works its strange spell....
In the second half of the show, it's back to our usual roster of deep-underground projects. The Black Metal Guy returns to his icy onslaught with Panzerwar's Warlord, a reverent reawakening of the True Norwegian Black Metal -- with a rabid spirit rooted in early demos and hardcore punk. You think you've heard this before, but you haven't! Finally, The Death Metal Guy spins the globe to sunny Andalusia, where two mad motherfuckers with gnarly punk piercings make basement-shaking, dungeon-rattling brutal death. Encephalic has a surprisingly melodic, textural approach to a sound that's often full frontal eardrum demolition (see last week's bit on Insalubrity) -- could this be the future of real death metal?
00:00 - Introductory bullshitting / rundown of bands and labels
09:13 - Trident - North (Non Serviam)
48:18 - Mysthicon - Silva - Oculis - Corvi (Witching Hour Productions)
01:24:05 - Interlude - Behemoth - "Wolves Guard My Coffin," fr. Svantevith (Storming Near The Baltic) (Pagan Records, 1995). 2018 LP reissue by Back on Black available from Plastichead.
01:29:19 - Panzerwar - Warlord (Cold Sword Productions / Kult of Belial Records)
02:10:10 - Encephalic - Exalted Perversity (Sevared Records)
02:27:42 - Trident, "North," fr. North (see above)
CLARIFICATION: Jon Nodtveit (R.I.C.) has songwriting credits throughout Storm of The Light's Bane. Johan "Reaper" Norman has songwriting credits alongside John for the three tracks mentioned - "Soulreaper," "Thorns of Crimson Death," and "Unhallowed." TBMG clears this up at the beginning of the Mysthicon section.
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Thursday Oct 01, 2020
Thursday Oct 01, 2020
Right after recording the Serpent Column interview, we hurled ourselves into Episode 21.
We lead off with a vast, majestic 50-minute review of Into Oblivion's vast, majestic new EP, Winds of Serpentine Ascension. If you've wanted to hear a whole new style of riffing and song-construction, pointing death and black metal toward a glorious New Dark Age, this is it. It's one of the most important records to come out this year, and issues the same challenge issued by Serpent Column -- to make metal that parts the swirling wind and fog, bringing forth a higher, more abundant mode of life.
And with that out of the way, we're onto Finland: Sammas' Equinox took four years refining their eccentric, esoteric-pagan black metal before releasing a full-length, and The Black Metal Guy is stoked to see how it turned out. We talk over the record's formidable high points, and meditate on the balance between wizard and warrior aesthetics.
The second half of the show sees The Death Metal Guy at full Death Metal Guy. He leads off with Insalubrity's foul breed of brutal death, full of pinch harmonics and slippery trem. The Black Metal Guy has been learning to listen to this sort of thing -- but will this one be a bridge too far?? To close out, TDMG brings a sick new find we can all agree on: sombre Swedish death metal about tanks. Just Before Dawn nimbly dodge the "retro Swedeath" trap by lining up an unexpected set of influences, and following an invisible through-line. Two of these are bands we mention all the time on this show...
00:00 - Introductory bullshitting / rundown of bands and labels
11:13 - Into Oblivion - Winds of Serpentine Ascension (Hessian Firm)
01:01:37 - Sammas’ Equinox - Tulikehrat (Signal Rex)
01:29:11 - Interlude - Miserycore, "Merciless March," fr. the Civilization Torture demo (Pure War, 2005). Looks like Invictus distro has a CD reissue in stock.
01:34:14 - Insalubrity - Salacious Putrescent Psychopathy (New Standard Elite)
02:05:00 - Just Before Dawn - An Army At Dawn (Raw Skull Recordz)
02:29:18 - Grundhyrde, untitled track-in-progress w/ no vox yet.* Check the Grundhyrde / Klagesturm split (sold out) on Greg Biehl's channel.
*CORRECTION: On air, The Black Metal Guy confuses this w/ another track, soon to be released.
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Tuesday Sep 29, 2020
Tuesday Sep 29, 2020
In this Terminus exclusive, the core songwriter of Serpent Column joins your hosts to take stock of his six-part cycle, now drawing to a close with Kathodos and its forthcoming followup EP. This interview will not give you a guided tour of the album, or an archive of key influences. It will not give you a behind-the-scenes look at the recording process, or a glimpse into the artist's daily life. What it will do, is show you how Serpent Column thinks about art -- his relation to his own works, his relation to the works of others, his hopes for his own audience, and his understanding of art itself. Over the course of the conversation, he makes the case for intensive, long-form listening, clarifies some fundamental aims for the project, and reflects on the role of mystery and misinterpretation in propagating vision. What emerges is a sense of Serpent Column's struggle for "infinitely replenishable experience, even in late modernity."
00:00 - Brief lead-in
02:24 - Premiere - "Offering of Tongues," fr. Kathodos, out 9/30 on Mystiskaos (LP / digital) and Iron Bonehead (CD).
42:54 - Conclusion w/ sample of "Desertification," final track on Kathodos.
Those with an interest in Serpent Column's panoply of reference-points -- musical, philosophical, literary -- should check out his text-based interviews with our good friend GrizzlyButts. These form a solid base for anyone who wants to learn more about the project:
And here, at last, is our usual load of links:
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Thursday Sep 24, 2020
Thursday Sep 24, 2020
In this festive 20th episode of Terminus, each one of us leans into his personal subgenre specialties and finds a year-end pick! We warm up by hopping on the "Six Feet Under 'Zodiac' reaction video" trend, and keep the loose and riffy vibe going throughout.
In Part I, The Black Metal Guy leads us through the majestic golden fields of Slavonic Heathen Black Metal, and - as always - we sort the wheat from the chaff. First, Polish master Slavland returns from four years in the wild with a set of passionate folk-black battle songs, freely ranging from "peasant wedding brawl" to "charge of the winged hussars." This project is an old favorite of both your hosts, and we find plenty to sperg about. Second, Ukrainian mainstays Khors dramatically revamp their sound, embracing the latent pop tendencies of their scene and coming up with something pretty original – but is it good?
In Part II, The Death Metal Guy takes us to two extreme opposite ends of nowadays DM. Cranial Contamination follow in the footsteps of their fellow Englishmen (and Englishlady!) in Bolt Thrower, but without cloning their style -- for in the grim darkness of the 2.1st Millenium, there is only fully automatic, grenade-launching slam. And to wrap things up, TDMG unearths a deeply obscure debut LP by a band called Forgotten Tomb. No, not that Forgotten Tomb! (For them, see Terminus Ep. 3.) It's Forgotten Tomb from Chile, a one-man project playing ultraprimitive, artistically advanced 80s death that goes far beyond the usual old-school fetish.
00:00 - Introductory bullshitting
07:00 - Six Feet Under, "Zodiac" - Autists react!!!
13:12 - Rundown of bands and labels
20:51 - Slavland - Stal Biała, Krew Czerwona (Eastside)
01:02:07 - Khors - Where The Word Acquires Eternity (Ashen Dominion)
01:34:54 - Interlude - "Jet Black Metal Art," Lutomysl (Лютомысл), fr. Catharsis (Катарсис), reissued by Drakkar.
01:41:34 - Cranial Contamination - Into the Warp (Realityfade Records)
02:19:12 - Forgotten Tomb (Chile) - Death is Just Another Path (Cadaverismo)
02:55:50 - Outro - "Nuclear Spear," Veriluola, fr. new S/T demo, self-released on Bandcamp!
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