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Relentless total war on metal journalism.
Episodes
Sunday Oct 20, 2024
Sunday Oct 20, 2024
As The Death Metal Guy recovers from the tumult of hurricane season, I call upon our bold young comrade Hyper Shaman to fill TDMG’s capacious, plutonium-toed boots. Our aim? Get caught up on GLORIOUS PAGAN BLACK METAL.
This episode began as a normal two-record show, but due to time constraints, and the sheer scale of the work at hand, it became a standalone review of the new album by Auld Ridge. Here, O.W.G.A. steps out of the shadows and takes a fighting stance, reworking his symphonic style around a core of raging, racing folk melody. You can probably guess how we feel about this one.
00:00 - Intro
0:04:09 - Auld Ridge - For Death and Glory, to the Gods I Cry (The Hermetic Order of Ytene / Dark Adversary / Amor Fati)
1:00:52 - Outro: Gorgoroth - “Profetens Åpenbaring,” fr. Under The Sign of Hell (Malicious Records, 1997)
Note 1: The “Krig”-based riff isn’t on Consanguineous, it’s here, in the middle of Track 5 (“Ar Cricinagneth, An Agen Albannu Tu Telyr”).
Note 2: I forgot to mention Auld Ridge’s possible debt to Panphage, a forgotten legend of 2010s BM. The resemblance is especially strong on Track 4 (“Henmaen…..”) - a phrase from Panphage's Drengskapr crops up at 48:00, just as my sample ends.
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Tuesday Oct 15, 2024
Tuesday Oct 15, 2024
Terminators, thank you for your patience. After a couple weeks’ delay, for which TDMG has a good excuse (two fucking hurricanes) and I have none, we’re back! Or rather, I’m back, with a big interview.
A couple weeks ago, I had the pleasure of speaking with Chris Naughton, frontman of Winterfylleth and pioneer of modern pagan black metal. I asked him to draw up a list of five quintessentially English bands/scenes that fed into the Winterfylleth sound. These serve as touchstones for a conversation ranging from details of guitar technique to lyrical source texts to obscure distro history.
On the show, we’ve often characterized Winterfylleth as a kind of tricky folk-cultural transplant project, “English Slavblack.” Talking with Chris led me to revise this portrait: Much of what I attributed to the influence of Ukrainian bands has older roots in Chris’s native soil, in styles I hadn’t necessarily expected. As for the question of English black metal, Chris has a thoughtful answer, a robust rebuttal to the old saw that “there's no such thing as 'English' culture."
00:00 - Intro
3:08 - Peaceville death-doom, songwriting for Winterfylleth
33:22 - Bolt Thrower, Carcass
52:45 - Is there an “English Sound” in black metal? (YES, but it’s not what you think)
1:01:09 - Deep Purple
1:06:40 - Interlude - Iron Maiden - “Blood Brothers” fr. Brave New World (EMI, 2000)
1:13:54 - Fairport Convention, folk ballads, and pastoral poetry
1:30:21 - Primordial, the turn towards pagan black metal
1:43:22 - Drudkh / Hate Forest vs. other Slavic black metal
2:14:00 - Outro - Winterfylleth - “The Insurrection,” fr. The Imperious Horizon (Candlelight, 2024)
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Tuesday Oct 01, 2024
Tuesday Oct 01, 2024
On Terminus 163, we hearken back to the early days of the show with a wildly disparate lineup - two bands united only by their weirdness, and by the suddenness of their return.
00:00 - Intro
0:04:03 - Viscera Infest - Teratoma (Obliteration Records)
Japanese brutal goregrinders break out of the psych ward with a shockingly fast and noisy reinterpretation of Death Metal - this is “full spectrum death metal” with all the insanity of the margins intact.
0:46:31 - Interlude - Deranged - “Imbecile Humans/Drag Her Out to Die” fr. Plainfield Cemetery (Listenable Records, 2002)
0:49:27 - Trelldom - …By the Shadows… (Prophecy Productions)
Norwegian pagan black metal progenitors emerge from the nocturnal woods with, uh, saxophones? This raises two questions - 1. Does it make sense? and 2. Does it work?
1:34:30 - Outro - Gaahlskagg - “Skullfuck,” fr. Erotic Funeral (No Colours Records, 2000)
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Thursday Sep 19, 2024
Thursday Sep 19, 2024
Terminus 162 is unusually contentious, at least relative to the last few years of the show. In this episode, we both bring black metal records aimed at broad accessibility, yet staunchly refuse to enjoy each other’s picks. Terminators, choose your fighter! (And in the comments, let us know who wins which round.)
00:00 - Intro
0:01:41 - Winterfylleth - The Imperious Horizon (Candlelight Records)
English black metal standardbearers return with their most well-rounded, ambitious record to date.
0:54:54 - Interlude - Wodensthrone - “Those That Crush The Roots of Blood,” fr. Loss (Candlelight, 2009)
1:05:22 - Darkmoon Warrior - Graveyard Planet (Folter Records)
Das Motorrad des Teufels macht VRÖÖÖÖM!!!!
1:44:46 - Outro - Galicia - “Despondent Deity,” fr. Precipice (Hessian Firm, 2022)
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Wednesday Sep 11, 2024
Wednesday Sep 11, 2024
On Terminus 161, we bring you two short and ripping records from bands we’ve covered in the past and reference frequently, both obsessively devoted to the extremity arms race, both back with #3.
0:01:45 - Pneuma Hagion - From Beyond (Everlasting Spew Records)
Blasting USDM titans consolidate their sound around…. the slow parts? Rest assured, the ziggurat has never been vaster, denser, or more hungry for the blood of stars.
0:44:06 - Interlude - Baphomet - “The Age of Plague,” fr. The Dead Shall Inherit (Peaceville, 1992)
0:47:37 - Concrete Winds - Concrete Winds (Sepulchral Voice Records)
Finnish pioneers of “music-adjacent” riffing get back to basics, grounding the white noise chaos of their last record in the driving deathrash structures of the debut.
1:26:51 - Outro - Xotox - “Eisenkiller,” fr. Lichtlos (Pro Noize, 2003)
Extended version recently released by Infacted Recorgodings
https://infactedrecordings.bandcamp.com/album/lichtlos-extended
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Wednesday Sep 04, 2024
Wednesday Sep 04, 2024
Returning from an interviewmission, Terminus is back with a couple records at least approximately located in the outlaw rock space. First up--the sophomore release of Ink & Fire which trades a bit of the debut's wild chaos for a more deliberate and precise melodic attack. Second, the debut by Ghost of Lietus, a Strix Askesis side project which augments Slavic and Hellenic black metal styles with an additional flair of traditional heavy metal and psych rock.
0:00:00 - Intro
0:04:28 - Ink & Fire - Emblazoned Visions Yield Eternity (Death Prayer Records)
0:52:51 - Interlude - Odal - “Flammendes Schwert,” fr. …Wilde Kraft (Christhunt Productions, 2005)
0:58:57 - Ghost of Lietus - Dream of the Viridian King (Independent)
1:39:01 - Outro - Ildra - “Ofer hwælweg we comon,” fr. Eðelland (Sonnenrune Records, 2011)
Nobly reissued by Heidens Hart.
https://heidenshart.bandcamp.com/album/e-elland
Terminus links:
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Sunday Aug 25, 2024
Sunday Aug 25, 2024
While conducting a dangerous Thulean reconnaisance mission, The Black Metal Guy managed to bed down in enemy triangle black metal territory to conduct a casual interview with a rare ally: Adrian Brachmann, whose projects Níðstöng and Perkwunos we have covered in earlier episodes. While dodging fire from the remains of the Orthodox scene, your intrepid host and his frigid counterpart enjoy a talk over coffee about Adrian's projects, his future musical plans, the broader black metal scene, and, of course, a Terminus favorite: 2000's metalcore.
0:00:00 - Interview
0:57:18 - Holyarrow - "空的進軍 / March to the Sky" fr. 吾之榮耀即吾之忠誠 (Pest Productions, 2023)
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Friday Aug 16, 2024
Friday Aug 16, 2024
WE LIVE... AGAIN. Terminus is back from summer break with a hot-ass episode of PURE BRUTAL DEATH METAL. To celebrate the start of Slam Boy Summer we have a four-banger of high profile records that we've been meaning to get to. First up- the sophomore record by 200 Stab Wounds- can they navigate the switch to a major metal label with their sound intact. Next up, Wormed, who attempt to bring their unique style of brutal death up to date with high profile influences. Third, the shocking return of Cephalotripsy, whose new record bears traces of the old but kicks off in a substantially different direction. And last but not least, Carnivore Diprosopus returns with a new record featuring a monster truck on the cover. That's it, that's the review.
0:00:00 - Intro
0:02:25 - 200 Stab Wounds - Manual Manic Procedures (Metal Blade)
0:45:37 - Interlude - Watchmaker - “Failing Upwards,” fr. Erased from the Memory of Man (Willowtip, 2005)
0:47:48 - Wormed - Omegon (Season of Mist)
1:28:13 - Interlude - Dephosphorus - “Storming The Sloan Wall,” fr. Ravenous Solemnity (7 Degrees Records, 2012)
1:31:06 - Cephalotripsy - Epigenetic Neurogenesis (...Independent. Seriously.)
2:12:55 - Interlude - Corpse Carving - “Drenched in Visceral Excretions and Excrement: Aftermath of Emasculation” fr. Grotesque Goratorium: Disemboweled Gorific Feast (Despise the Sun Records, 2005)
2:14:25 - Carnivore Diprosopus - Rise of the Insurrection (Comatose Music)
2:52:38 - Outro - Amputated Genitals - “Chessman Red Monday” fr. Human Meat Gluttony (Gore and Blood Productions, 2005)
Terminus links:
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Friday Jul 12, 2024
Friday Jul 12, 2024
As Terminus prepares for its annual summer break (jetskiing, goblin slaying, etc.), we unleash a big black metal episode focused on only the coolest of wizard music. After an opening salvo by new project Arcane Bayonet, who present an oddball take on pagan black metal laced with black and roll, we get to a triumvirate of powerful spellcasting madness. First: the new record by Sear Bliss, legendary Hungarian hedge mages whose style of black/doom/folk/melodeath is as varied and well rounded as it is atmospheric and stirring. Second: the return of Windswept, a Saenko project which seeks to fuse the martial aggression of Hate Forest with the more delicate melodic sensibility of Drudkh to surprising results. Third: the mighty return of symphonic BM sorceror Limbonic Art, who drops the orchestra for something far more lean, hungry, and ferocious.
0:00:00 - Intro
0:05:24 - Arcane Bayonet - Bellicose Fields (Death Magick Collective)
0:27:02 - Sear Bliss - Heavenly Down (Hammerheart Records)
1:18:45 - Interlude - Rotting Christ - “Diastric Alchemy,” fr. Triarchy of The Lost Lovers (Century Media, 1996)
1:23:44 - Windswept - Der eine, wahre König (Primitive Reaction)
2:01:53 - Interlude 2 - Nécropole - “Immanence,” fr. Ostara (Résilience, 2015)
2:09:23 - Limbonic Art - Opus Daemonical (Kyrck Productions & Armour)
2:55:48 - Outro - Anaal Nathrakh - “Between Piss and Shit We Are Born” fr. Eschaton (Season of Mist, 2006)
Terminus links:
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Friday Jun 28, 2024
Friday Jun 28, 2024
To abruptly switch gears from our Very Special Episode earlier this week, we deliver reviews of the newest installments from two tech death giants. Ulcerate is back with their seventh full-length record which shows the band committing even more fully to the elements of post-rock, black metal, and textured drone which have helped define their sound- but have they strayed too far from the path? Pitted against them is the mutated monstrosity Malignancy's fourth full-length, which seeks to bring their sound a bit closer to the center of death metal while leaving their whiplashing, wild style of technicality intact- but can they maintain their vicious edge? YOU WOULD LIKE TO KNOW MORE.
0:00:00 - Intro
0:01:56 - Ulcerate - Cutting the Throat of God (Debemur Morti Productions)
0:54:35 - Interlude - The Brass - “Treading Water,” fr. the Rugged Cross EP (Independent, 2015)
0:58:44 - Malignancy - …Discontinued (Willowtip Records)
1:40:43 - Outro - Copremesis - “A Poem” fr. Muay Thai Ladyboys (Paragon Records, 2008)
Terminus links:
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